Reviews showcasing the original and strong women empowerment themes of fighting back in some of EV Knight’s top horror and dark fiction novels and novellas over the past few years.
Three Days in the Pink Tower, Select Reviews
“A harrowing tale reminiscent of The Last House on the Left, Three Days in the Pink Tower deftly weaves darkness and triumph into an unforgettable story. EV Knight is a powerful voice in horror, and this book is not to be missed!”—Sonora Taylor, award-winning author of Little Paranoias: Stories and Seeing Things
The Fourth Whore, Select Reviews
“THE FOURTH WHORE by EV Knight is an ambitious debut with vivid prose and intriguing characters. Not only is this story a mix of the horror and fantasy genres, it’s also heavy on feminism, revenge, mythology, theology, occultism, sex, and violence. It had my attention right out of the gate! It’s in your face shocking in a few scenes, so be warned of graphic content.” - She Reads with Cats
“This book is perfection on EVERY DARK LEVEL right down to its spirited ending! Although this story executes all its intended targets I certainly wouldn't mind this author surprising us in the future with a prequel or a side story about the amazing characters created within; Especially Sariel and Enoch's journey through eternity together. What a Wicked Treat!! I am blown away! This woman is on fire and I will rave about this book for awhile!! BUY IT NOW. “
- Kami’s Korner
“The Fourth Whore was like American Gods meets Preacher meets the feminist agenda. If that intrigues you then give it a whirl.” - Reads with Dogs
Children of Demeter, Select Reviews
“VERDICT A book that dares you to turn out the light or put it down, this psychedelic dive into cults, monsters, and rebirth will blow your mind.” Library Journal Starred Review
Bizarre Book Review YouTube Review
“Children of Demeter is a really dark story that blends a lot of my favourite things together and delivers them in the one perfect package of horror delusion. The cult angle is super creepy, the mythology angle fits perfectly with what's going on, and the horror is satisfying. I also loved how well the whole psychedelic vibes of the 60s is very much alive through the whole thing. Not just because of the commune and the freaky mural or the house they abandoned, but also in the storytelling. A lot of ambiguity, bordering on a bad trip, is squeezed into the narrative.” - Yolanda Sfetsos, Author of Wall of Dolls